Editorial – Fulfilling the purpose of a rich, productive, and successful 2021. And preparing for an as much as possible, definitely “true normal” 2022


Mutual Images Journal
Mutual Images Research Association

How to Cite

Danesin, M., and M. Pellitteri. “Editorial – Fulfilling the Purpose of a Rich, Productive, and Successful 2021. And Preparing for an As Much As Possible, Definitely ‘true normal’ 2022”. Mutual Images Journal, no. 10, Dec. 2021, p. IX-XVIII, doi:10.32926/2021.10.pel.edito.


Dear readers, students, fellow scholars, welcome to this tenth instalment of Mutual Images Journal, which we have titled “Aesthetic journeys and media pilgrimages in the contexts of pop culture and the creative industries from and to East Asia”, trying to subsume in it the variety of themes the volume hosts.  

Audaces fortuna iuvat

The Latin adage of this introduction states: “good luck helps the daring ones”. We think this is what happened to us and Mutual Images, both the journal and the association as a whole. We had left 2020 with more than just the proverbial mixed feelings: we were all uncertain and confused about what would and could happen in 2021. We won’t give you a summary of the many facets of what 2020 has been for the world, because each of you knows that all too well. But for MIRA, at least, 2021 was a moment of rally and refocus on what we hold dear: research, publishing, and the careful organisation of workshops and similar events. We rolled up our sleeves as so many people around the world did, and, in our microcosm of transcultural research in the humanities, media, cultural sociology, and area studies — whether supported by universities or independently run — we brought home two very nice workshops and a summer school. One workshop was held in Italy and Spain in November 2020 and the other in Japan in January 2021, although, for obvious reasons, both were technically conducted mainly online; and the summer school took place on-site in China, in June 2021.

The two workshops saw [...]



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Copyright (c) 2022 Maxime Danesin, Marco Pellitteri